Category: Virginia

Lost in the library: The New York Public Library Digital Gallery

A tip from Jonathan Hoefler led me to the NYPL Digital Gallery, now fully searchable and browsable, with low resolution images free for non-profit use (including personal blogs, though not Wikipedia). Some really fascinating stuff, including a number of University of Virginia related items: detailed close-up shots of the pediments of East Lawn, the post-1895 Rotunda, the serpentine walls, two different views of the famous pre-1895 engraving showing the Lawn from the West with the Rotunda annex, a view of the full map of Virginia from which the 1826 engraving of the Lawn is drawn and a separate close-up of that engraving, other early engravings likely not drawn from life (since they don’t show the terraces on the Lawn) but including the pediment around Pavilion X, the exterior and interior of Edgar Allan Poe’s room on West Range following one of the Raven Society restorations of the room, and my personal favorite, pictures from a visit that Gertrude Stein and Alice B. Toklas made to the University in 1935, including a shot with faculty and students, the pair in front of a pavilion, and this nifty shot of Stein in front of the Rotunda.

I’m pretty sure you could kill hours just looking through this site–for me, the old photos from Newport News are just about as fascinating as the UVA material.

Vote suppression, accidentally or on purpose

NYTimes: Voter Registration by Students Raises Cloud of Consequences – NYTimes.com. See also Cavalier Daily, Voter registration code raises concerns (temporarily dead link, use the PDF version). Brief version: two bulletins from the registrar of elections for Montgomery County in Virginia advised students, incorrectly, that registering to vote in Virginia could cost them scholarship money, insurance coverage, and could cost their parents through loss of dependent status.

Bureaucratic foulup, or deliberate suppression?

One would think that the registrar of elections would be interested in facilitating voter turnout.

There’s a little bit of a blog kerfluffle about this right now–seems Jon Taplin reported it as a Republican suppression effort, but there’s no evidence that the registrar, Randall Wertz, is partisan. But the sort of consequences for registering to vote are pretty typical vote-suppression claims, and Wertz seems proud of the eight students who called to withdraw their applications.

So it could go either way, but it seems to me that we should be encouraging Montgomery County to register more students.

A Shadow’s on the Sundial: initial notes

My copy of the Virginia Glee Club‘s 1972 record, A Shadow’s On the Sundial, arrived today. I haven’t listened to much of it yet, but a quick scan of the first few tracks on the first side and a review of the liner notes (transcribed) provide the following observations:

  1. This is a completely different group than the rough-hewn group from 1951 (or was it 1947) that recorded Songs of the University of Virginia. No monophony here, no vigorously gasping phrases, no mediocre baritones. Don Loach should rightly be credited with introducing the tradition of countertenor singing to the Glee Club, as evidenced in the first four madrigals, and for generally setting a high level of musicianship. When I joined the group, in the second year after he and the group parted ways, much of the musical philosophy of the group was still proceeding in the fundamental direction laid down by him.
  2. Only four of the Summer Songs, settings written by the group’s conductor David Davis of poetry by the group’s student business manager, Michael B. Stillman (class of 1963), are included on the recording—not included is the oddly funny “Little Polly Ethylene.”
  3. The record’s liner notes reveal the identity of the mysterious Harrison Randolph, who in 1893 broke it out of the Glee, Mandolin and Banjo Club and set it on its path of independent existence: he was the organist in the University Chapel.

More notes as I finish listening to the record…

Virginia Glee Club 1972 European Tour

Continuing this week’s back to school theme (hey, in the fall I get a little nostalgic for UVA), I did a little more spelunking through the broken Cavalier Daily archives and turned up a review of the Glee Club’s 1972 European tour. Check out Around the Western World in Eighteen Days: A Glee Club Diary, and marvel at the thought that college students could once visit the Hofbrauhaus on a University-sponsored trip.

New Dorms replacement project underway at Virginia

It’s great to find out about happenings at my alma mater through Wikipedia. In this case, an edit on the University of Virginia article tipped me to some new developments on Grounds: a new style of dorm that will end up replacing the “New Dorms” that were my home in my first year at UVA.

I like that the new dorm is named “Kellogg House” after my late professor, Robert Kellogg. It’s the first time that one of my professors has had a building named after him.

The dorm looks pretty fancy, but of course the important question is unanswered: what sort of view do the Kellogg kids get into the windows of Balz? And how long will it be before all the dorms are converted over? And how long until the kids start hiding contraband behind the panels in the dropped ceilings shown in the photos? I am deeply envious of the view, but not of the hike that the kids in Kellogg must have had on move-in day…

Virginia, Hail, All Hail

Ten thousand voices sing thy acclaim;
Ten thousand hearts beat high at thy name;
All unafraid and girded with good,
Mother of men a queen thou hast stood;
Children of thine a true brotherhood,
Virginia, Hail, All Hail!
Virginia, Hail, All Hail!

Long let thy praises live and resound;
Long let thy virtues in us abound;
Let morning radiance set thee in sight;
Let noonday brilliance crown thee with light;
Let ev’ning sun sink kissing goodnight,
Virginia, Hail, All Hail!
Virginia, Hail, All Hail!

It’s the kickoff of football season (UVA vs. USC at 3:30 pm today), so here’s a little lyric of inspiration from J. A. Morrow (class year unknown). Go Hoos!

I’m looking forward to hearing another recording of this song—I found and bought a copy of A Shadow’s on the Sundial on eBay today.

The Virginia Glee Club: A Shadow’s on the Sundial (1972)

Having sung the title work, I’ve always been curious about the Glee Club’s 1972 recording A Shadow’s on the Sundial, not least because it financed their 1972 concert tour. I hadn’t been able to find any references about it other than a newspaper ad and a passing mention in Virginius Dabney’s history of the 1920s through 1970s at Virginia, but today I struck paydirt.

There are a lot of bugs in the UVA library’s onsite access to digitized back issues of the student newspaper the Cavalier Daily, but you can get to the content by searching to find the article you want, browsing to the year that it was published, opening the file containing all the content for that date, and viewing source (the content is contained in the XML). For those who might not want to go through the hassle, here’s an excerpt from an article that appeared in the February 29, 1972 issue of the Cavalier Daily:

Profits from A Shadow’s on the Sundial, the Glee Club’s recent recording, will also go toward the tour. The record contains several traditional settings of English, French, and Italian madrigals, some of which will be sung in Europe. Two more serious works included are Francis Poulenc’s Lauds of St. Anthony of Padua, which the Club plans to sing in Padua, and Dietrich Buxtehude’s Cantate Domino, “Sing To God The Lord”.

“From Rugby Road to Vinegar Hill” (two verses only) and “Glory, Glory To Virginia” combine in a pleasant medley, offering a sharp contrast to the above pieces. Also included among Virginiana are new arrangements by recent Glee Club directors of “The Good Old Song,”, “Virginia Yell Song,” and “Ten Thousand Voices.”

A recent addition to the collection is “Vir-ir-gin-i-a,” by Professor Emeritus of English, Arthur Kyle Davis, Jr. Setting verses to a chorus by G.F. Handel, Professor Davis dedicated his new song on April, 1968, to the Jefferson Society. He sang the first performance of it on that occasion.

Portions of two other compositions that the Glee Club has come to regard as their own have been included. One is Randall Thompson’s Testament of Freedom which was dedicated to the Glee Club in 1943, having been composed for the Two Hundredth Birthday of Mr. Jefferson.

The other composition was written by former Glee Club director David H. Davis, entitled Summer Songs. The title of the album, A Shadow’s on the Sundial, is taken from the name of the concluding Summer Song in the group.

The album represents a lot of work on the part of the Club members. It seems the incentive involved has produced what many consider to be one of the best albums ever put out by the group. The album can be purchased for $5.25 at the corner stores, Newcomb Hall Bookstore, Stacy’s Music Ship, and HiFi House or through any member of the Glee Club.

With the group preparing to record a new album honoring the legacy of Songs of the University of Virginia, I thought the discovery of this description of Shadow was interesting.

The return of Shannon Worrell

Shannon Worrell, an artist whom I developed a serious musical crush on in Charlottesville in the early ’90s, is recording again after an eight year hiatus and has a new album, The Honey Guide, coming out later this year. This is big news; her last album, released after the breakup of her band September 67, came out in 2000 into a critical vacuum. I liked The Moviegoer but it was too polished for my taste, and her new song (“Driving in the Dark”) has an edge to it that brings back what I liked best about Shannon, the honeyed whiskey voice and sharp eye and lyrical left hook that combined for an unsettlingly brilliant listen.

I had a perpetual cold and perpetual insomnia during my third and fourth year, the spring and summer and fall of 1993, and so used to hang out in a long-forgotten Charlottesville restaurant called the Corner Grill Main Street Grill. It didn’t do nearly the sort of business it needed to pay the rent on its fairly large footprint, which included a spacious upstairs room with a small stage, and it folded in late 1993. But my insomnia loved the coffee there, and my cold was nourished by the grilled cheese sandwiches and chicken soup. And the joint drew the kind of musicians that Charlottesville seemed to create out of the mud: Greg Howard and Tim Reynolds (playing as Sticks and Stones), Boyd Tinsley one memorable night (I dragged my fellow physics interns in the REU program there; he was guesting with Sticks and Stones, and it was a wild improvised set. I ended up peeing next to him in the tiny bathroom, shrinking from his immense height), and Shannon.

The first time I ever saw her, she played a solo set, her and an acoustic, then called up Kristin Asbury to do harmonies. I knew of Kristin from her work in one of the UVA a cappella groups (she was a Sil’hooette, I think) and somehow I felt that I was on stage with them. It was a weird out of body sort of moment that was reinforced by the wonderful Southern gothic strangeness of the songs.

Zalm and I saw her later that summer in another mostly solo show (I think that both Fred Boyce and the cellist who played on Three Wishes were there). There were quite a few funny notes about the songs on the first album, including one about an elderly couple who misheard the lyrics to “Witness” and thanked her very solemnly for her willingness to share personal details. It was a pretty incredible show. The CD came out the next spring; I embedded its tracks in mix tapes and spent the summer singing along to it, stretching out my high range for the first time. (I think that’s a big part of the reason that Reilly Lewis of the Cathedral Choral Society thought I was a first tenor.)

I next ran across her in Tower Records in 1997, when I found the September 67 release. We were both going places: I was doing well professionally, and she had signed a deal with the Enclave and was on the Lilith Fair tour. I played the crap out of Lucky Shoe, again putting it in mixes and sending it to friends. But not all good things last, and September 67 was dropped when EMI/Virgin merger went down. Her last record, The Moviegoer, crossed my path when I was just starting business school and it didn’t make as deep an impression. Then… silence for eight years.

So I’m pretty excited, obviously, about the new record, which is due in October. Along the way I noticed that Shannon didn’t have a Wikipedia entry, so I wrote one.

Songs of Virginia redux

I got a little pleasant news in the mail over the weekend. Somehow I had missed the announcement that the Virginia Glee Club won a Jefferson Trust grant back in April to record a followup to Songs of the University of Virginia. I had previously been contacted by a current Glee Club member who asked questions about the old record, but hadn’t heard about the grant. Well done, guys.

Dollars for Deaver: Undergrad physics scholarship fund

Bascom Deaver was my first physics instructor at the University of Virginia, and he became my undergrad advisor a semester or two later. I met him when I toured the University in the spring of 1990, and was hooked by his clear description of his research into superconducting quantum interference devices, a field where he had done some of the key groundbreaking research. I’ll never forget his patience with me as I cheerfully declared my physics major, then later chafed against the curriculum and ultimately decided to finish the degree but pursue a different career path. At the time I graduated he was talking to quite a few of us about how the curriculum should be arranged for those who wanted the intellectual stimulation of physics to inform a non-traditional career path, and later translated those insights into a first-class BA degree program.

I was delighted to get a newsletter from the UVA physics department yesterday stating that the department will be naming its first undergrad scholarship fund after Dr. Deaver. That’s a worthy tribute to a dedicated educator, who cared less about creating PhDs than helping to shape minds and share the excitement of the physical sciences.

Deluge

I had a nice walk tonight from the docks at the end of King Street in Alexandria, Virginia to my hotel. Or, it was nice for the first three blocks until the heavens opened up. Man, I forgot what thunderstorms in June are like here. I made it to the hotel, drenched, and rested a bit before heading back to Old Town and Bilbo Baggins. Where the food has been adequate and the beer, divine.

All the reviews are spot on regarding the décor here, btw. I’ve been in Michigan State college bars that had more elaborate ambience. But they didn’t have Dominion on tap, or Duchesse de Bourgogne in the bottle. Mmm, Flemish red ales.

The Fennell roast

Fennell, with iPhone and pipe, at the partyI had a bit of driving to do this weekend; I traveled from one Arlington to the other, from Massachusetts to Virginia, so that I could help Craig Fennell celebrate his impending nuptials. It was a great time, quite mellow as these things go. Lars Bjorn and his wife Erin were great hosts, and I got to spend time with quite a few folks I hadn’t seen in years (Kevin Dixon, John Duncan, Ananth Kadambi, Ben Johnson, Dan Roche, and even Guido Peñaranda) as well as some folks I hadn’t met (mostly the rest of Craig’s bandmates in Wonderjack, as well as his brother and sister). It was a great evening, and my only regret was that I had to drive sixteen hours (eight each way) to be there for only sixteen hours.

(It’s kind of funny that, even with gas at $4 a gallon, the car was still the cheapest way to go this weekend; $50 cheaper than Amtrak, $150 cheaper than JetBlue. I don’t think that will be the case for too much longer, though.)

Anyway, it was a great time and there was much reminiscing. I wasn’t in the VGs with Fennell, Dan, Ben, and Ananth, but had enough common experiences that we stayed up talking until late in the night about music. I’m looking forward to hearing the Imogene Heap cover that this year’s VGs did–we all passed around Fennell’s iPhone so we could hear parts of it, but I think it probably will sound better over speakers.

Adding Wikipedia articles to Google Maps

Google started baking some mashups into the main Google Maps interface earlier this week. As a Wikipedia editor, the one that intrigued me was the ability to hover over a feature on a map and click through to a related Wikipedia article. The question I had was, how do I change my article so that it appears on the map?

Fortunately, it appears to be a pretty simple process, with only one complicated bit, the first one:

  1. Find the place. That is, the place that the article is about. Google Maps is of course your friend here. Once you’ve found the location, double-click to center it in your browser.
  2. Get the coordinates.  This actually isn’t as hard as you might think, thanks (again) to Google Maps. The article Obtaining geographic coordinates provides some helpful suggestions, with a special section on Google Maps. I particularly like the bookmarklet provided, because it makes the workflow so simple–find the place as above, then use the bookmarklet to get the coordinates already in a template. Whatever your method, you’ll want to use the appropriate precision.
  3. Add the appropriate template to the article. There are a few different templates that add geographic coordinates to an article, and some Infobox templates (including Template: Infobox University) include a coordinate parameter. But if you use the bookmarklet I mentioned above, you get the coordinates handed to you in a coord template, which is the one you want to use for compatibility with Google. The only change I’d make is to add the display=title parameter, which floats the coordinates up to the top of the page.
  4. Set the template options. The two I recommend are display=title and type= the appropriate value; for a building, use landmark. This is important because it sets the zoom to the appropriate value.
  5. Preview, making sure to click through and check the map link, then publish.

As an example, I added coordinates to the article about the School of Engineering and Applied Science. Now the next question will be: how long does it take those coordinates to percolate over to Google Maps? I suppose we’ll find out.

Wiki barnraising

I’ve been a Wikipedia editor in earnest for almost a year now. In my focus area (articles about the University of Virginia) that’s mostly been a quiet, solitary pursuit–writing new articles, revising existing articles, reverting vandalism, but rarely interacting with other editors. I saw a hint of the social side of Wikipedia over the last two weeks that gave me a feeling for how the site’s creativity and collaboration works, at a very rapid pace.

It started for me with a notice on the Raven Society page, suggesting that the article be merged with one on collegiate secret societies in North America. I replied that the Ravens were hardly secret, and given their role in preserving Poe’s memory I thought they merited their own article, and that closed the matter. But I checked out the other article, curious to see how they handled the secret society problem.

(I also edit the list of secret societies at the University of Virginia, which is a pretty thankless job. Despite its “anyone can edit, anyone can improve” philosophy, Wikipedia has pretty strict guidelines for its editors, such as a strong preference for notable, cited content. This leads to an apparent oxymoron, gleefully cited by many contributors, who ask, “How can there be references for secret societies? Aren’t they secret?”, generally while adding “The Nougat Society” to the list. I ended up proposing and enforcing a rule that only societies that could be referenced to a publication could be on the page; “after all,” I wrote, “if the society makes so little difference to the University that even the Cavalier Daily won’t write about it, it isn’t notable enough to be in Wikipedia.”)

I found much the same issue on the collegiate secret societies page, and that the editors there had evolved a similar brightline to guide editing. But another editor had a more ambitious plan; rather than a simple list, he structured an article with sections for each of the schools with large numbers of societies, a general introduction, and a restrictive list of societies that had their own articles. With a number of sections already created, he threw open the floodgates and hung out an Under Construction sign.

I pitched in and wrote the UVA section. Others added too. In three days the basic article was complete in draft form, having gone through some fifty or so revisions by about 10 editors, and at least one good fight.

It’s a lot of fun to watch the process, and makes me think that a similar approach could work for other content, provided there are enough interested editors.

Secrets of Wikipedia research

Also known as: How on earth did people write encyclopedias before the Internet?

I’ve been a regular editor on Wikipedia for a while now, with a pretty narrow focus on the University of Virginia and related topics. In the process, I’ve found a list of sources that have made the topic much easier, and might be helpful for other fans of the history of the University:

Note that the sources are hosted by the UVA Library, Google Books, and the Internet Archive. Without the efforts of text initiatives like these I don’t think that what is being done on Wikipedia would be possible. I don’t think that I imagined, when I was an intern applying SGML markup to out-of-copyright texts in the University’s Electronic Text Center (since incorporated into the library’s Scholars Lab), that the work would lead here.