Author: Tim Jarrett

1895 Map of the University of Virginia Grounds

1895 map of the University of Virginia from the YMCA Student Handbook
1895 map of the University of Virginia from the YMCA Student Handbook

It’s not every day that you get to see a picture of the world just before it changed. But that’s what I found in my latest eBay finding, a copy of the Y.M.C.A. Student’s Hand Book to the University of Virginia, 1895–’96. Inside the book, after the title page and opposite the calendar of the year (more on that in a second), is a fold-out map of the University as it existed at the beginning of the 1895 school year.

It’s literally a peek backwards in time. The infirmary (now Varsity Hall) is on the map where it was built and stood until its move in 2005 to make way for the expansion of Rouss Hall for the McIntire School of Commerce (and Rouss, Cocke, and Cabell are not on the map at all). The original Dawson’s Row buildings dot the map in an arc leading away from Monroe Hill. The lost Jefferson Anatomical Building, here labeled “Biological Laboratory,” stands on the map alongside a pair of more modern buildings for Anatomy and Chemistry, both now lost to time. Memorial Gym is still the skating pond. Carr’s Hill is a set of wooden dwellings, with no sign of the president’s home that Stanford White built — of course, this was before the University had a president. Madison Bowl, and the original Madison House building, are just the “YMCA Campus.”

And of course, the Rotunda only has one set of east-west wings, and it has a big Annex.

It’s all poised on the brink of a monumental event: the destruction of the Rotunda Annex and the burning out of Jefferson’s Rotunda on October 27, 1895. In a day the University was turned upside down. Two years later the Rotunda would be rebuilt in a grand style, three academic buildings would close off Mr. Jefferson’s Lawn, and the unprecedented fundraising challenge would prove the last straw for the old faculty government model. Within ten years the University’s first president would take office. It’s a fascinating look back into a lost world.

2014 UVA Reunion, Part III: The people

Diane, Lara, Julianne, Don, Erika, and myself
Diane, Lara, Julianne, Don, Erika, and myself

The best part of any reunion is the people, and I’ve learned an important lesson this time: get here early. I was never rushed, had enough time to spend with everyone, and lowered my blood pressure probably 20 or so points.

The shenanigans of our group of friends shall mostly be lost to the mists of time (or behind private walls on Facebook), but a few things stand out:

After Saturday’s banquet, I had reached my quota of extroversion, and my claustrophobia kicked in. So I took my leave of my friends and walked up East Lawn, then cut across to West. As I passed Pavilion V, I was hailed by strangers sitting outside one of the Lawn Rooms, who pointed out my absence of beverage and rectified same; we exchanged pleasantries and University personal histories. Walking back down East Lawn again, I was stopped by alumni of the class of 1974, sitting outside another Lawn room drinking bourbon and smoking cigars. They pointed to my orange and blue bow tie and said, “Now that’s how it’s supposed to be done!”

Photos from the Grounds are on Flickr.

2014 UVA Reunions, Part II: The Rotunda

Rotunda Capital
Rotunda Capital

I got a special behind-the-scenes tour of the Rotunda on Saturday. The Rotunda, Jefferson’s library and the centerpiece of his Academical Village, just got done with a roof replacement and now enters the second, more extensive phase of its renovations as they redo the mechanical systems and get ready to return it to a building more integrated with student life. The guide said that they were inspired by the way students took to the McGregor Room in Alderman when it was turned into study space after Special Collections moved into its new dedicated building, and hope to recreate that effect in the oval room across from the Board of Visitors meeting room on the second floor. I can’t think of anything better.

The tour itself was fascinating. We stood in the lower oval rooms on the ground floor and learned what they’ve reconstructed about the larger role of the chemistry labs in the earliest days of the university, when the Rotunda was not just library but also science classroom. We marveled at the graffiti left by builders in the portland cement  lining the cistern buried in the east courtyard, long hidden under a fountain. And we got to ascend both tiers of balcony above the Dome Room floor, which have long been off limits to regular tours.

The last part was the most special. Behind an opened panel on the north wall was a small chamber housing the machinery for the north clock. There was a 1970s era unfinished wood structure around the clock mechanism. And the wood structure was covered by signatures of probationary classes of the University Guide Service. The Guides’ secret hideaway had long been a legend, and seeing it in broad daylight was surprising at first. But as I wrote to a friend, I felt that the Guides found a way to become part of the historic fabric of the building in an intimately familiar and ultimately respectful way, just like the builders who left their names in the cement of the cistern. Seeing the signatures meant that my friends had found a way to become a deep part of the history of the University.

Check the Flickr photoset for more.

2014 UVa Reunions, part 1: The Library

Alderman Library reference room.
Alderman Library reference room.

My 20th reunion has been a great time to connect with friends, gawk at the architecture (again), and disappear into the library. —Wait, what?

I got into Charlottesville on Thursday for reunions weekend, and headed straight to the library. I was on the trail of the mysterious Glee Club concert program. I found the mention of William Wood Glass‘s correspondence with Ada Bantz Beardsworth in January of this year, and one sentence in the finding aid was electrifying: “He also included programs for the University of Virginia Glee Club.” 

In the end, the discovery was simple. I went to Special Collections, requested the box of correspondence, opened it, and there it was: a program for the February 12, 1894 Glee Club concert. Featuring E.A. Craighill, author of the Good Old Song,  and the same concert program that the Club took on that 1893–1894 tour, the program formed the second earliest record we have of an actual Glee Club performance. It also had a human dimension: Glass wrote a letter to Ada on the front and back, describing the concert and its aftermath. He notes, “We had a fine time, but not as large a house as we anticipated. I made a great mash on one of Miss Baldwin’s girls.”

I’m getting the program scanned properly. It should be part of our permanent record of Club’s history.

I returned to Alderman on Friday to dig through other holdings. I finally laid eyes on the January 1871 copy of the Virginia University Magazine, which fixes our earliest date for the Glee Club, and made my way through much of the collection of Corks and Curls. I’ll post about some of those findings another time.

New mix: been so lonesome, just ’bout flew away

Percolating this one for a while, as usual. Genesis has been the end of a long hard winter, some outstanding old gospel 78s that washed up on Bandcamp, and a few songs (“Headspins,” “Genius of Love”) that seized my playlist and wouldn’t let go.

  1. In Your Eyes (Special Mix) – Peter Gabriel
  2. I Won’t Be Long – Beck (I Won’t Be Long)
  3. City With No Children – Arcade Fire (The Suburbs)
  4. Man – Neko Case (The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You (Deluxe Edition))
  5. Headspins – Splashh (Comfort)
  6. Little By Little – Radiohead (The King of Limbs)
  7. Weightless – Brian Eno (Apollo: Atmospheres & Soundtracks)
  8. Root Down – Beastie Boys (Ill Communication)
  9. White Girl – Soul Coughing (Irresistible Bliss)
  10. Can You Get to That – Funkadelic (Maggot Brain)
  11. Borrowed Time – Alexander O’Neal (Purple Snow: Forecasting the Minneapolis Sound)
  12. Bittersweet Me – R.E.M. (New Adventures In Hi-Fi)
  13. Genius Of Love – Tom Tom Club (Tom Tom Club)
  14. Patience – The Men (Campfire Songs)
  15. What Are They Doing in Heaven Today? – Dixie Hummingbirds (When the Moon Goes Down in the Valley of Time: African-American Gospel, 1939-51)
  16. Stones In My Passway – Robert Johnson (The Complete Recordings)
  17. Royals – Lorde (The Love Club EP)
  18. Deeper Into Movies – Yo La Tengo (I Can Hear The Heart Beating As One)
  19. Too Much of Nothing (take 2) – Bob Dylan (A Tree With Roots)
  20. That Was My Veil – June Tabor & Oysterband (Ragged Kingdom)
  21. Wash. – Bon Iver (Bon Iver)
  22. Avalanche (Slow) – Zola Jesus, JG Thirlwell & Mivos Quartet (Versions)
  23. Green, Green Rocky Road – Dave Van Ronk (Inside Llewyn Davis: Original Soundtrack Recording)
  24. Water Wheel – Steve Gunn (Time Off)
  25. Ceremony – New Order (International: The Best of New Order)
  26. One Day – Angelic Gospel Singers with the Dixie Humming Birds (When the Moon Goes Down in the Valley of Time: African-American Gospel, 1939-51)
  27. Winter’s Come And Gone – Gillian Welch (Hell Among The Yearlings)

Virginia Glee Club History: Wanted

As I go through the process of researching the history of the Virginia Glee Club, occasionally I run across sources that are hard to get to from my home in Massachusetts but that would lend enormous value to our search. I’m posting the current list of sources in the hope that someone can help me find a copy of the source so I can fill in the blanks in our understanding of the past.

Why are some sources hard to find? There are usually a couple of reasons–either the item hasn’t been digitized (but thanks to references in other sources we know that it exists), or the item has been digitized but Google, in its infinite wisdom, isn’t making a full copy of the source available.

The current list:

  1. Corks and Curls volume 1 (1888). According to the snippet view search, Page 92 contains a description and information about that year’s Glee Club, about which we have very little information.
  2. Corks and Curls volume 2 (1889). Again, tantalizing glimpses indicate that pages 10, 96, and 97 reference the Glee Club. This is especially tantalizing because our only prior evidence about the group says that it did not organize in 1888-1889.
  3. Corks and Curls volume 3 (1890). Page 106ff appears to supplement what little we know about the group in 1889-1890.
  4. Additional papers of Ada Bantz Beardsworth, Box folder 23:2. This is a funny one, but apparently the subject had a former boyfriend in the Virginia Glee Club (William Wood Glass), who sang in the Glee Club in the 1895-1896 season. And they corresponded, and he sent her concert programs! We only have one concert program of the Club prior to 1900 so this item, in the UVA Library Special Collections, would be quite a find.
  5. Programs from the 1980s and the 2000s. For whatever reason, we have more knowledge about concerts in the 1940s through the 1970s than we do about the 1980s, 2000s, and even 2010s (thanks to a few generous alums we have the 1990s mostly covered). Anyone holding a cache of concert programs from these eras?

So if there are any sleuths out there with access to the UVA Library or other repositories of rare Virginiana, who can help me out with a scanner, I’d be eternally grateful.

Virginia Glee Club history: the University Band and the Arcadians

Virginia Glee Club recording with the University Band, 1947 (courtesy UVA Visual History archives)

I’ve devoted some of my Virginia Glee Club historical research time to non-Glee Club topics in an effort to better understand the life of the average Club guy across the decades of the group’s existence. In the process, I’ve learned some interesting things about Club itself.

First, other musical groups, namely the University Band. If you think the Club has had a checkered history, what with multiple potential founding dates and occasional fallow years, then check out the band! Though instrumental music has an earlier start date than organized glee clubs, with the first reference to student instrumental groups coming in 1832, there were not only many starts and stops but also outright faculty opposition. In a foreshadowing of this year’s performance space flap, students were forbidden in the late 1830s from practicing instruments except between the hours of 2 and 3 in the afternoon, or from four to eight o’clock at night—and never on Sunday. So formal bands died out, to be replaced by the Calathumps — not a good tradeoff for order at the University. New organized bands sprouted in the early 20th century but seemed always to die away, so you had a founding of a band in 1908–09, another in 1910–11, another in the 1920s, another in 1934, a dwindling to almost nothing in the early 1960s, and then a resurgence with significant donor money in 2004. The last refounding of the Band, with the clear goal of the extinguishing of the Pep Band, doesn’t reflect well on student self governance, but at least it got a band that had instruments and practice space.

Second, the Arcadians. I’ve written about them before, but it’s interesting to study this group in a little more detail. The University had had a small dramatic group, the VVV Club, in the early 1900s, but the Arcadians were something else—seriously organized, putting on big shows, and apparently sucking in all the musical talent. In 1904 the University only had 662 students, not reaching over 1000 until 1915–16, and the pool of available students wasn’t big enough to support both a Glee Club and a dramatic group that performed musicals. So, after five musicals, the Arcadians were bankrupt and no student groups remained to put on entertainments. Enter the Glee Club of 1910–11. And, given that there were only a few additional fallow years from this season forward, we can really thank the poor financial management skills of the Arcadians with giving the Glee Club the opportunity to get back on its feet for good.

New mix: something other than regret

Starting to have the energy again to think about posting here, which is nice. I’ve been down the grindstone for a very very long time, and now, faced with some unexpected downtime, I’m going to use the opportunity to catch up on a  few things.

Starting with this. I completed something other than regret, my 33rd mix in the modern era, on the 10th of November, and it’s all over the map, but with some pretty strong thematic material running through as well. I especially love the way that Laura Marling excavates on the three tracks from Once I Was an Eagle, which is my favorite album of 2013; the woozy, witchy, R&B-driven silliness of “Nommo (The Magick Song)” (“All praises due to the Black man,” indeed); the light touch of Antony’s “Crackagen”, and the way that John Fahey’s riff on Clarence Ashley’s “The Coo Coo Bird” fits so seamlessly with gospel. I’ve definitely got something other than regret.

  1. Song-Song – Brad Mehldau Trio (The Art Of The Trio Volume 3)
  2. Nommo- The Magick Song – Gary Bartz And NTU Troop (I’ve Known Rivers And Other Bodies)
  3. Is That Enough – Yo La Tengo (Fade)
  4. Blue Light – Mazzy Star (So Tonight That I Might See)
  5. Life & Soul – The Sundays (Blind)
  6. Take The Night Off – Laura Marling (Once I Was An Eagle)
  7. I Was An Eagle – Laura Marling (Once I Was An Eagle)
  8. Crackagen – Antony and the Johnsons (Another World)
  9. Everybody’s Heart’s Breaking Now – Lavender Diamond (Incorruptible Heart)
  10. Variations On The Coocoo – John Fahey (The Dance Of Death & Other Plantation Favorites)
  11. Where Shall I Go? – Sister Marie Knight (When the Moon Goes Down in the Valley of Time: African-American Gospel, 1939-51)
  12. Don’t Give Up – Peter Gabriel (So (Remastered 2012))
  13. Incinerate – Sonic Youth (Rather Ripped)
  14. Tiny Cities Made Of Ashes – Sun Kil Moon (Tiny Cities)
  15. We’ll Sweep Out The Ashes In The Morning – Gram Parsons (G.P. / Grievous Angel)
  16. Breathe – Laura Marling (Once I Was An Eagle)
  17. Turn Your Color – The Men (Campfire Songs)
  18. I’ll Fly Away – Southern Sons (When the Moon Goes Down in the Valley of Time: African-American Gospel, 1939-51)

Ten years ago (soon): BloggerCon

Dave reminds us that it’s almost ten years to the day since the first BloggerCon. I was highly invested in blogging at that juncture of my life, having tried and largely failed to figure out where I fit inside Microsoft, and so I managed to combine a recruiting trip back East and attendance at the first day of BloggerCon.

I liveblogged much of what I saw of the day. I’m sure most of it is redundant with the other coverage, but in retrospect it’s interesting to read through the coverage and see how much of it was on target, or just off-target. I think the biggest bit that surprises me is the collective failure to imagine that blogging, per se, was just one manifestation of a million ways for individuals to share ideas and feelings with the world, or that most people would be most interested just in sharing those ideas and feelings with a few friends and family.

New mix: will you buy me a shaky heart

As I grow … well, older isn’t right, and neither is more mature, so let’s just go with “as I grow,” I find that what I listen to is less about lyrics and singing along and more about just listening. So, of the 19 tracks on this mix, six have no words at all, and a few more are mostly nonsense.

No real notes here, except to note that Jonny Greenwood’s Bodysong, from 2003, is an unlikely sleeper album. There are bits that remind me of Ravel, and Berg, and glitchy techno, and sometimes they come in the same song.

Also: why did it take me so long to listen to Bruce Cockburn? He would have been right up my alley in 1988 or 1989.

Also also: I’m in the crowd for that 2004 Sonic Youth performance at the Showbox. This one.

  1. Burning Of Auchidoon – Maddy Prior (Silly Sisters)
  2. Tree (Today is an Important Occasion) – David Byrne (The Knee Plays)
  3. Ready to Start – Arcade Fire (Ready to Start – Single)
  4. Lovers In a Dangerous Time – Bruce Cockburn (Stealing Fire (Deluxe Edition))
  5. Wiggle-Waggle – Herbie Hancock (Warner Archives)
  6. Everything In Its Right Place – Radiohead (Kid A)
  7. 24 Hour Charleston – Jonny Greenwood (Bodysong (Soundtrack from the Motion Picture))
  8. Concorde – Modern Jazz Quartet (Concorde)
  9. Track 4 – Sigur Rós (( ))
  10. Chemtrails – Beck (Modern Guilt)
  11. Sorrow – The National (High Violet)
  12. I Should Watch TV (M. Stine remix) – David Byrne & St. Vincent (Brass Tactics EP)
  13. Pattern Recognition – Sonic Youth (Live at the Showbox in Seattle (2004))
  14. Milky Way – Weather Report (Weather Report)
  15. Alone And Forsaken – Neko Case (Live from Austin, Texas)
  16. Hi-Speed Soul – Nada Surf (Let Go)
  17. After All – Christian Scott (Yesterday You Said Tomorrow)
  18. Bode Radio/Glass Light/Broken Hearts – Jonny Greenwood (Bodysong (Soundtrack from the Motion Picture))
  19. I Wanna Dance With Somebody – David Byrne (David Byrne: Live from Austin, TX)

The Colonoscopy Playlist

I can tell that I’ve reached that certain special age based on what my interactions are with the medical profession. And this week I had one of those really “special” ones: a visit from the camera snake.

As I was getting ready for the procedure, I realized that there were a lot of songs that were inadvertently funny in the context of a colonoscopy, and that there didn’t seem to be a lot of people putting them together in playlists. So I figured I’d do it so you don’t have to. (You’re welcome.) I posted a request for help on Facebook and got a lot of suggestions from my friends, so this was a real labor of love…from the bottom to the top.

  1. Baby Got Going – Liz Phair
  2. I Like to Move It – Reel 2 Reel
  3. Relax – Frankie Goes to Hollywood
  4. Shout – Tears for Fears
  5. Take It Easy – The Eagles
  6. When the Levee Breaks – Memphis Minnie
  7. Medley: Highway to Hell -> Shook Me All Night Long – AC/DC
  8. Highway to Hell – AC/DC
  9. It Looks Like I’m Up Sh*t Creek Again – Tom Waits
  10. Medley: “All Stripped Down” / “The Earth Died Screaming” / “The Ocean Doesn’t Want Me” / “New Coat of Paint” / “Chocolate Jesus” / “Take It With Me” ” / “Tango Till They’re Sore” / “Don’t Go Into That Barn” / “The One That Got Away” / “How’s It Gonna End” / “Make It Rain” – Tom Waits
  11. All Things Must Pass – George Harrison
  12. Chocolate Rain – Tay Zonday
  13. Everything Must Go – Manic Street Preachers
  14. The Waiting is the Hardest Part – Tom Petty
  15. Pants on the Ground – Larry Pratt
  16. From the Bottom to the Top – Frank Sinatra
  17. Way Down in the Hole – Tom Waits
  18. I’m Looking Through You – The Beatles
  19. Wide Open Spaces – Dixie Chicks
  20. I Can See Clearly Now – Johnny Nash
  21. Back Door Man – Howlin’ Wolf
  22. In Too Deep – Genesis
  23. Da Butt – EU
  24. Mega Colon – Fischerspooner
  25. I’m Beginning to See the Light – Bobby Darin
  26. Shine a Light – Rolling Stones
  27. The End – The Doors
  28. Black Hole Sun – Soundgarden
  29. Ring of Fire – Johnny Cash
  30. Moon River – Henry Mancini
  31. Boogie in the Butt – Eddie Murphy
  32. Baby Got Back – Sir Mix-A-Lot
  33. Show Me the Way – Peter Frampton
  34. Stinkfist – Tool
  35. John Mayer – Inside Wants Out
  36. Up in the Dark – The New Pornographers
  37. Searching With My Good Eye Closed – Soundgarden
  38. Shot in the Dark – Ozzy Obourne
  39. Way Down Now – World Party
  40. Already in a Daydream – Freddy Jones Band
  41. Bad Moon Rising – Creedence Clearwater Revival
  42. Scatman – Scatman John
  43. Into the Great Wide Open – Tom Petty
  44. Tighten Up – Archie Bell and the Drells
  45. Supermassive Black Hole – Muse
  46. Broken Hearts Are For Assholes – Frank Zappa
  47. Black Tongue – Gene Simmons
  48. Medley: ‘Fire in the Hole’->’Do It Again’ – Steely Dan
  49. Shake Your Booty – KC and the Sunshine Band
  50. Dig for Fire – Pixies
  51. Medley: ‘I’ve Got You Under My Skin’ -> ‘Moanin” -> ‘Walkin” -> ‘I’ll Never Be The Same’ – Frank Sinatra / Art Blakey / Miles Davis / Art Tatum
  52. Better Days (And The Bottom Drops Out) – Citizen King
  53. Rolling in the Deep – Adele
  54. My Face Your Ass – Lambchop
  55. Pretty on the Inside – Hole
  56. The End – The Beatles

Welcome, Andris Nelsons

Boston Globe: BSO names Andris Nelsons music director, succeeding James Levine. An exciting day. I sang with Nelsons last summer at Tanglewood in a deeply felt (if a little idiosyncratic) performance of Symphony of Psalms. I also watched him conduct the BSO in a spine tingling version of Ravel’s La Valse that was easily the best musical moment of the Tanglewood anniversary concert. Can’t wait to sing with him again.

Careless Love: The Virginia Glee Club in the 1950s

Glee Club 1956 promo acetate

There’s not a lot to say about the Virginia Glee Club in the later 1950s, seemingly. The group lost one of its more influential directors, Stephen Tuttle, to Harvard in 1952, and saw two directors alternate during the remaining years. There were tours, sure; legend has it there were even panty raids on other campuses. But no LP survives from the period between 1952 for almost 20 years; no big commissioned work exists; nothing remains but a bunch of concert programs.

Except this. The image above is of an acetate recording that was made as a promo record and sent to radio stations. Seems that Donald MacInnis didn’t spend much time with his group recording because they spent time trying to get on live radio. We know they were broadcast on WTVR radio, probably as a result of this acetate.

(Aside: an “acetate” is actually made of aluminum—or, in the WWII years, glass—coated with a thin layer of lacquer. You could cut one live, and some did, but you could also copy prerecorded music onto it. It was common to use acetates for promotional recordings when the number of playbacks was unlikely to be high. You can see the aluminum under the black lacquer of this disk around the hole of the record.)

The repertoire on the disk is interesting, too. The Bach is pretty straightforward, but it’s followed up by a downright woozy version of “Careless Love,” and then by MacInnis’s own version of Tom Lehrer’s “The Hunting Song.” I’m trying to imagine that on a Glee Club program today. In fact, I’d pay money to see this paean to hunting, in which the protagonist bags 7 hunters, two game wardens, and a cow, on a modern day program.

It’s a fun recording, albeit short, at around 6 and a half minutes. 

We’ve moved!

After a really good run with Weblogger, Jarrett House North is no longer hosted there. The team there is now focusing on things other than WordPress hosting, and I’ve moved on accordingly. I wish them all the best–Erin Clerico has been great to work with, and I know the new endeavors there will be successful.

I’ve moved to page.ly, who seem on first blush to have the right balance between ease of use and security — at least they mention security in their service description, unlike some of the other WordPress hosting leaders that are out there. The transition has been interesting, and something I did with one of my plugins seems to have dropped a lot of my posts on the floor–the autoposts from FriendFeed, so nothing really lost there. But we’re up and running.

And maybe this will be the kick I need to start writing some more. I’ve got a lot to talk about, so stay tuned.

New mix: my love invented all of you

This has been building for a bit. I had more work to do on it, then I thought it was done. Then I heard the last two songs side by side and realized they were the perfect coda. So it’s a little longer than CD length. Oh well…

  1. The Empty Page – Sonic Youth (Murray Street)
  2. Rock And Roll – Led Zeppelin (Led Zeppelin Remasters)
  3. Don’t Care – Klark Kent (Klark Kent)
  4. What Difference Does It Make? – The Smiths (Hatful Of Hollow)
  5. Manta Ray – Pixies (Complete ‘B’ Sides [UK])
  6. Carry Me Ohio – Sun Kil Moon (Ghosts Of The Great Highway)
  7. Vengeance Is Sleeping – Neko Case (Middle Cyclone (Bonus Track Version))
  8. Back Of A Car – Big Star (#1 Record – Radio City)
  9. Just Like Heaven – The Cure (Kiss Me, Kiss Me, Kiss Me)
  10. Space (I Believe In) – Pixies (Trompe Le Monde)
  11. Lick the Palm of the Burning Handshake – Zola Jesus (Conatus)
  12. Gravity’s Angel – Laurie Anderson (Mister Heartbreak)
  13. Water Babies – Miles Davis (The Columbia Years 1955-1985)
  14. Working For The Man – PJ Harvey (To Bring You My Love)
  15. Lil Wallet Picture – Richard Buckner (Richard Buckner)
  16. In the Devil’s Territory – Sufjan Stevens (Seven Swans)
  17. I Don’t Recall – Lavender Diamond (Incorruptible Heart)
  18. Dawned On Me – Wilco (The Whole Love)
  19. Morpha Too – Big Star (#1 Record – Radio City)
  20. Kiss Me On The Bus – The Replacements (Tim [Expanded Edition])
  21. Dauðalogn – Sigur Rós (Valtari)
  22. End of the Line – Sleigh Bells (Reign of Terror)