Marantz SR6011: initial thoughts

Following up my post about the new AppleTV, I finally got my new Marantz receiver hooked up and working. First thoughts below.

First: not only did I get this receiver at a relative bargain, I ended up getting this year’s model. That’s right; I ordered a new-in-box Marantz SR6010 but the seller sent me a new-in-box SR6011. For a few hundred dollars off list. Score!

Second: this is the first “modern” AV receiver I’ve had, and so many of my notes are just awe that the thing works. You run one HDMI cable from the receiver to your TV, then plug all the HDMI cables from your other devices into the back of the receiver, and hey-presto, easy peasy. All you have to do is to switch the receiver to the new input source–the TV settings can remain unchanged.

Third, as compared to the Onkyo, which seemed to go from quiet to loud awfully quickly, the Marantz has miles of quiet built into it, which is nice for more nuanced classical or jazz listening. I seem to regularly be setting the volume to between 30 and 40, which is comfortable without being distracting from other rooms.

Fourth, I love the onscreen menus and the manual speaker calibration. In older receivers, I used to be driven mad by the hoops required to tell the amp I had no center channel so that it would redirect the dialog to the stereo speakers. On this model, you pull up the settings menu, choose Speakers, and tell it you have no center channel. Easy.

It’s weird, but useful, to see the Marantz show up in my AirPlay menu on my iPhone too.

The only thing I don’t like is that it’s just a little too deep for me to be able to close my audio cabinet.

Coming up with the TFC: the Busoni Piano Concerto

One of the comforting things in my life right now is that, no matter how much things change, music remains a constant. On Friday and Saturday I am lucky enough to be able to take my place with the men of the Tanglewood Festival Chorus in a rare performance of the Busoni Piano Concerto, whose “everything and the kitchen sink” approach to orchestration includes a men’s chorus part in the final movement.

The choral writing in the work is interesting, anticipating modern harmonies in several places, and our guest conductor Lidiya Yankovskaya has drawn some rich sonority out of the ensemble. I’ve enjoyed preparing the work, which has involved sitting “hashed” so that we can all hear all the other parts and blend our sound and pitches more effectively.

The men’s choral sound also makes me nostalgic for my friends in the Virginia Glee Club, whose exploits this week on tour are being chronicled on Frank Albinder’s tour blog. Wafna!

Turning inside out

Dave Winer posted a link to some of the earliest podcasts recently, Chris Lydon’s interview series. In the header he used a photo from the first Bloggercon. (That’s me, on the left with my eyes down toward my screen, above one of many Mac TiBooks in the audience.)

It got me thinking about Bloggercon and looking back at some of what we learned, and in particular my two-part blog on takeaways, What is a blog? and Blogs providing voices/Blogs mediating connections. There’s a note in the second post that connected especially strongly with me today:

Blogs written by individuals inside institutions also, through their personal nature, offer the readers of those blogs a connection to the institution at an individual level that they would not experience otherwise. This empowers them through connecting them more closely to that institution and enabling them to better understand the institution. This is empowerment by access.

Finally, when the blogger outside the institution publishes a comment and a link to the work of the blogger inside the institution, and the institutional blogger reciprocates with a link, a relationship develops between the two, the outsider and the institution, that helps the outsider to understand, and in some cases affect, the institution. This is empowerment by relationship.

What I meant in writing this by “institution” was “any organization,” but how I feel it today is “a company.” There’s so much expertise tucked away within a modern organization that may not expose itself through a company’s official messaging, but which holds much of a company’s competitive strength. Like what it’s learned about aligning product management to the business, or doing agile at scale, or even applying agile principles to other disciplines like marketing.

Some of the value drivers for blogging seem to have weakened in the last 14 years, but this avenue of empowerment of the individual writer and of their audience by connecting with them is still deeply important.

Sounds of anguish

Christopher C. King, Oxford American: Unearthly Laments. It’s easier than you might think to connect the dots between the earliest known complete musical composition—the Seikilos Epitaph—and “Dark Was The Night, Cold Was The Ground.” I’ve got a mix almost in the can that explores some of these connections.

But that isn’t why you should read King’s piece. His tale of discovery of a 78 of the Blind Willie Johnson record is: a little physical remnant of sorrow, left to rot in a sharecropper’s shack until saved from fiery destruction.

Apple TV 4th Generation – Impressions

I was eager, when Apple announced the fourth generation Apple TV, to get it and check it out. I was especially excited by the concept of a real app store for the TV and by the ability to game on the device.

Then reality hit. For years, I had been using an Apple TV in our family room, and it’s been invaluable for entertainment. Mostly kids’ entertainment—movie rentals through the iTunes Store, complete seasons of “Scooby-Doo”—but I’ve used it to play music and watch movies too. But the hookup I was using to connect it to the rest of my gear was no longer supported. In particular, Apple used to have an optical out on the back of the older generation Apple TV devices in addition to HDMI. That allowed me to connect the device to my faithful Onkyo TX-DS494 so that I could put the sound out through my Bowers & Wilkins DM 602s.

But the new generation has no optical out! And the Onkyo, alas, has no HDMI inputs. So I had a choice. I could get the Apple TV and run the sound through the comparatively unsatisfactory speakers on our television. Or I could wait until I could afford to replace the Onkyo.

That time has come. I have a Marantz SR6010 (last year’s model new in box at a substantial discount from list!) on its way, and I hooked up the Apple TV last weekend so we could get used to the new interface.

First impressions: the new UI is considerably easier to navigate. And I really love the App Store. I was able to find something like 29 applications—a mix of video apps like the PBS Kids app, YouTube, and others, plus some games—that I had already purchased for the family phones that were available to download to the TV. Score! There were even a few fun games for free, like the Lego Batman game. I’d love to see more games in the store, though, especially games that support the controllers. And more retro games. Why can’t I play Lode Runner on the Apple TV? I can on my iPhone.

Gaming is probably the biggest let down right now. The controller I bought, the SteelSeries Nimbus, is a little too big for my six year old’s hands so he’ll have to use the Siri remote. That works pretty well for him, though he got tired of driving his race car off the track in the first game we played pretty quickly.

But the simple handoff of text input from the onscreen remote to the iPhone is brilliant, and makes up for some of the other disappointments with the device. I can’t wait to hook up the new receiver when it gets here and really take the thing through its paces.

The Chieftains, March 1, 2017, Chevalier Theatre, Medford, MA

Lisa and I went to see the Chieftains tonight in Medford. It was an amazing show, not so much due to the displays of individual artistry (though those were plentiful), but due to the astonishing generosity on display.

The Chieftains are one of those musical groups that it’s possible to take for granted, owing not least to their incredible longevity (55 years and counting) and their recordings with seemingly every possible type of guest star. But when you see them live, you get the essence of what Paddy Moloney, a founding member and still going strong 55 years later, and his compeers Matt Molloy and Kevin Conneff (Seán Keane was not there tonight) have been doing all these years.

Put simply, they’ve been pulling on threads.

Tonight’s threads included a diversion into country music, led by Jeff White (who helped out the Chieftains on Down the Old Plank Road), reminding one that it was the Irish and Scots who settled the Appalachians, then fanned out west, carrying Gaelic touched musical traditions with them. They included a gospel sextet singing “Shenandoah,” as part of a medley from their album Long Journey Home, as a reminder of how the music of that group touched on the core of American traditions. They included “The Foggy Dew,” a sobering reminder that not all Irish music is light hearted, and that some is paid for in blood. And they included a bagpipe group from the North Shore, and the house band from the Burren, reminding us that the music that the group brings has deep roots here in Massachusetts.

A wonderful night and a great show.

Thirteen years ago…

I was looking at an article on the history of interactive fiction, including the Infocom games (Zork, Hitchhiker’s Guide, and its ilk).

The link in the original article was to a Java version of the Hitchhiker’s Guide game. There’s been a subsequent revision that doesn’t require Java and has some slight graphical blandishments to boot (which kind of spoils the fun).

Also ironically, the link to the original article is broken and was not preserved by the Internet Archive (and the hosts of the site were kind enough to claim that “Internet Archive generates us no value” in their robots.txt! Well, who’s laughing now?)

New music and bootleg roundup for February 23

I seem to be doing nothing but accumulating tabs in my browser recently. Here’s a roundup of new and old music that I’m looking forward to exploring.

Dust to Digital: Where Will You Be Christmas Day? is a little late for this past Christmas but I’m looking forward to exploring it next year. Sacred harp, blues, and folk Christmas songs is pretty much right up my alley.

Doom and Gloom from the Tomb: Mythic and Political Jazz. Not too late to check this out.

Doom and Gloom: Lou Reed, Paramount Theatre, Seattle, December 9, 1976. I saw Lou in Seattle in 2004 at the Wilbur, but I expect this to be a completely different experience—pre-sobriety, with saxophone and freshly recorded cuts from Coney Island Baby and Rock and Roll Heart.

Directions in Mid-Atlantic Music, Live 2-5-2017. New band adding saxophone and cracklebox and cello to the core of Tyler Magill’s Grand Banks.

Doom and Gloom: Television’s Marquee Moon. Pointer to both a Pitchfork article about the origins of the amazing album and bootlegs of live performances.

NYCTaper: Lee Ranaldo, January 22, 2017 Park Church Co-Op. Featuring guest appearance by Steve Gunn and members of Yo La Tengo, plus Neil Young and Velvet Underground covers. I’ve missed Sonic Youth and Lee, and looking forward to checking this one out.

Cocktails roundup

A few cocktail related things that have persisted in my open tabs for a while:

A Drink With My Brother: A great blog about exploring cocktails complete with cocktail origin stories, tasting notes, personal history and more.

Aviation Gin: The Aviation Cocktail. Since the proper recipe for this isn’t found in my various apps, I’ve been keeping this tab open for a while. (I make it with Plymouth or Old Tom gin, though—shhhh.)

12 Bottle Bar: Saratoga Cocktail. Enjoy one and prepare to go horse racing. Just don’t place any bets.

Learning from learning

In the spirit of owning my own words publicly, here are some thoughts I shared on a friend’s Facebook page about the value of my higher education degrees. My friend’s question: “Has anyone ever studied the attitudes of persons with bachelor’s degrees toward the value of a postsecondary education as it correlates with field of undergraduate study after 20 or 30 years? Are hard sciences graduates more likely than most to describe their undergraduate years as well-spent, or less? Liberal arts? Business administration?”

I am, in fact, a hard-sciences major with a liberal arts minor undergrad, and an MBA, so I am either supremely qualified or un-, depending on how you value the respondent’s ability to make up one’s mind in evaluating whether you want to listen to the answer.

Regarding physics, I have felt for the past twenty-five years or so a deep gratitude for what it taught me about approaching deep problems, learning by hypothesis and disproof, and the necessity of striking out beyond one’s comfort zone when it becomes clear that one has spent four years getting a degree whose value depends on one’s willingness to spend another twelve years in and post-school and embrace a life of poverty in government funded labs of uncertain stability. They don’t ask me to talk about the last one to modern SPS students.

Regarding my English minor, I believe it gave me a lifelong appreciation for the well-chosen word and for our bloody-minded language, as well as appreciation for history, philology, semiotics, and half a dozen other things I never studied but which were hinted at darkly among the edges of my curriculum.

And business? Little poetry in it, but considered as a sociological study for the alien tribes with whom I’ve spent my latter career, it’s been invaluable preparation.

So, no, none a waste of my time. But I’d argue that choosing any undergraduate major for preparation into a lifelong vocation is not only wrong-headed but shows a dangerous lack of imagination or a distressing naïveté, or both. (I really thought my father’s 30+ career at NASA was the norm when it came to the longevity of employment in the sciences.) But choosing majors that arm the mind with intrinsic skills for future battles—that’s different.

Random Five: trade show edition

It’s been a while since I’ve spun the wheel. Here are the five tracks that came up this time:

  1. The Kingston Trio, “The Patriot Game” (Kingston Trio: Collector’s Series). From late in the original trio’s run, after Dave Guard had been replaced by John Stewart (the songwriter of “Daydream Believer,” not the comedian), comes this cover of Dominic Behan’s ballad protesting the murder of an IRA volunteer by another IRA member. It’s the same tune (“The Merry Month of May”) that Bob Dylan borrowed for “With God On Our Side.”
  2. Joan Baez, “Away in a Manger (French Version)” (Noel). Boy, we’re really mining the 60s folk vein here this morning. My mom had (and occasionally played) this Christmas album, but for me it’s best remembered for the instrumental arrangements by Peter (P.D.Q. Bach) Schickele. 
  3. Polyphony, “II. In te, Domine, speravi” (Morten Lauridsen: Lux Aeterna). The most exquisitely dissonant movement of Lauridsen’s soaring setting of the Lux text. 
  4. Bob Dylan, “I Shall Be Free” (The Bootleg Series Vol.9: the Witmark Demos). Dylan goofs on an old Lead Belly song. 
  5. The Beach Boys, “Little Deuce Coupe” (Surfer Girl). Did you know that a “deuce coupe” was a 1932 Ford Model 18? Now you do. 

Like shooting dragons in a barrel

Boing Boing: Anonymous infiltrated the KKK by friending Blue Lives Matter supporters on Facebook. So yes, the echo chamber thing works by reinforcing the connections you already have with more connections like them. But what happens if you choose a different starting point? You can end up unmasking a whole grand council of cyclopses.

‘Do what thou wilt’ not, in fact, the whole of the law

The New Yorker: The Ninth Circuit Rejects Trumpism. The enumeration in the article of the constitutional principles challenged by Trump’s executive order on immigration, aka the “Muslim ban,” is long. The scarier bit is the repeated note that the administration was given every chance to argue in a serious way for its side and offered no more than “because I said so.”