With Saturday’s 16–0 win over the hapless Terps (4–5), Virginia regained some of its footing after the loss to Florida State, and moved up in the polls (up 2 to 11 in USA Today/ESPN, up 2 to 10 in the AP poll). It’s anyone’s guess what that will look like after next weekend’s game versus Miami, who have beaten Florida State but lost to UNC and Clemson (???).
Day: November 8, 2004
The importance of being Delicious
I just found a new must-have application for all rampant media consumers like me: the Delicious Library. It’s also a killer app for the iSight. Delicious Library is a media management application that allows you to inventory your books, music, videos, and games, and to manage check-in and check-out. The killer app part: it can scan your item’s bar codes using the iSight and look up all the information from Amazon, including cover art and reviews, and there’s a drag and drop checkout system.
Issues: Getting the hang of using the iSight to scan was a little tricky. (The FAQ includes some tongue in cheek instructions for using toothpicks and a rubber band to set up a distance gauge on your iSight to speed up the process.)
More importantly, not every item has a bar code, and not every item’s bar code is in Amazon. I tested the scanner with 11 DVDs, 10 CDs, and a CD boxed set. It had no problem with any DVD that I tried, but it only managed to scan four of the CDs and the CD boxed set correctly. Of the other CDs, the problems included:
- No bar code on CD case: a single cd from the Miles Davis Columbia boxed set didn’t have a bar code.
- Music club CDs: both Columbia and BMG, who built the majority of my CD library from 1990 to 1996, replace the bar code on CD art with their own bar code or a message from the club.
- Wrong release found: John Coltrane’s Lush Life scanned as a Count Basie CD.
- Nothing found: one indie label release, Eva Cassidy’s Live at Blues Alley, turned up nothing in Amazon’s DB (probably because it was subsequently reissued by a bigger label).
In these cases, I used the title search feature. While this was much more convenient than other release lookups that I’ve used, it required a bit more work. Still, a very cool library management tool and a killer use of the iSight. This solution sure beats the hell out of the CueCat.
Almost forgot: A major wish list item would have to be scriptability. The application has no AppleScript dictionary at all. I’d love to be able to grab an item and output HTML. I’d also like to be able to substitute my own Amazon Associate ID rather than the company’s for doing lookups.
Blogger for hire
When I relocated to the east coast in August, I left Microsoft’s employ. I’ve been doing some contract work for them off and on over the last few months, but that’s finished and I’m looking for a new full time opportunity.
I believe that somewhere in the greater Boston area there must be a software or Internet focused company that needs a software product manager who’s been at Microsoft, worked in a CMM Level 3 organization, has been a developer, technical architect, tech support team lead, business intelligence analyst, and sales support engineer, and is an authority on corporate blogging and content syndication. (See my resume for more details.) Anyone want to call me on that bet?
(By the way, it was the hardest decision I ever made to leave Microsoft, but I needed to come east and they don’t do software product development too many places outside Redmond. I have a lot of respect and admiration for my former team members and wish them the best.)
What disappearing iTunes releases look like from the other side
I’m obliged to Christophe Abric, who’s on a mailing list with me, for pointing to an interesting case study of why albums appear and then disappear on the iTunes Music Store. The case in question is King Crimson, and the story is made a bit more transparent through the online diary of Robert Fripp, the band’s constant anchor. Apparently EMI snuck King Crimson tracks into the online stores after the band’s contract with them expired at the end of 2003, in spite of ongoing royalty disagreements—the band would have received 6 cents per track (Apple gets 4) vice the 69 cents kept by the label for “technology investments.” Riiight. More info in this Blogcritics post.
This sort of hijinks probably also explains the appearance and quick disappearance of the Sex Pistols’ Never Mind the Bollocks… in the store over the last few months.
(I thought I posted this on Friday, but it seems to have disappeared.)